A young London-based Pakistani author with piercing brown eyes and a mop of curly hair won numerous prizes for his earlier books and now tells a story set in Afghanistan: The Wasted Vigil. Nadeem Aslam creates a young Russian woman named Lara, whose mind "is a haunted house."
If we could pull that image from Lara and stretch it a bit, we might find our own collective minds haunted as well. Haunted by failed attempts to "set the world right." Haunted by flawed decisions. Haunted by images of still more young people flying into a country where women can be beaten with a tire iron if they happen, as Lara did, to fall asleep with your feet pointing to Mecca.
Aslam (whose name reminds me of Narnia's Aslan and I take some comfort in that) says Afghanistan is "a hub of things moving from one point of the compass to another, religion and myth, works of art, caravans of bundled Chinese silk flowing past camels loaded with glass from ancient Rome or pearls from the Gulf." Now Comanche helicopters drop bottled water. Or worse. For good reason, it's often called a graveyard of empires.
We arrogantly thought we'd change everything by riding in on our white cowboy horses after 9/11. We failed, as Suan Faludi puts it in The Terror Dream, "to perceive the message in Jacob's story of strength and dependency, to fathom the distinction between wrestling with angels and slaying them." Instead, we "balked," as she puts it, "and summoned John Wayne and his avenging brethren instead...we succumbed to the hauntings of a fabricated past." We threw tons of bombs into Talibaned Tora Bora, the labyrinth of caves in mountains 13,000 feet high. But heroin still bolsters their tippy economy. Bribes still grease the skids. Every man is still armed. We didn't change much and I've of a mind that we never will. That's not fatalistic, it's what I now think might be the truth.
Goethe said, "It's easier to perceive error than to find truth, for the former lies on the surface and is easily seen, while the latter lies in the depth, where few are willing to search for it."
How do we search out the truth in such a tangle of war-knots and bomb-snarls? Maybe the answer lies in a metaphor a reader-friend recently suggested. "Why don't you write about the connection between Afghanistan and afghans?"
I tucked that thought away as I do many that now come in from SophiaServe readers, thinking, "Sure, maybe after I learn Pashto." But thanks to our quickie-Wiki-Pedia I now know that these lap blankets were, indeed, first made in Afghanistan.
They are constructed in brilliant colors, geometric designs and holes built into the overall effect. Like the one my Aunt Esther crocheted for me back in 1961 with waves of seasick oranges, yellow and browns. Afghans are always hand-stitched from yarn and if you don't have an Aunt Esther, you're not likely to ever have one. They're called "throws" because with so many holes, they easily fray and people soon just throw them away. Or because you throw them over cold toes this time of year. Take your pick.
If our snarled presence in Afghanistan could be compared to a dizzy afghan, perhaps what we need to throw away is our frayed and obviously astigmatic threadbare concept of how we deal with people willing to blow themselves up for a cause. We need not, in turn, bomb them. Instead we could learn how to spot their crazy design and invite them to drape themselves over some other chair.
The wood of a sandal tree, Aslam tell us, never smells like perfume until it's cut down. This leads me to wonder if we thought we'd sniff the fragrance of peace by wielding axes.
Islam defines the time when a muezzin begins to call people to the dawn prayer this way: it's when there is enough sunlight to distinguish, without artificial light, a black thread from a white thread.
I pray dawn comes before we all unravel.
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